This movie is one of those movies that I could never recommend to my friends (see in my manifesto page I talk about how I realized I need friends who want to watch things older than 1997), but I myself love this movie. Do I think it is objectively and critically good?.... perhaps not, but I do enjoy watching it and appreciating the craft that went into it. Something about.. the action scenes, or music perhaps, I think falls short makes this film feel a liiittle boring. One day I want to settle down and really write down notes of what I think this film did right, what I think it struggled with. I wanted to compare this movie to the original Star Wars trilogy since it came out around the same time, but apparently even those moves got better with age due to George Lucas fiddling with them every time they got released, so it would be fun to see this film re-edited. In the meantime, at least we have Corridor Crew remaking the light cycle scene with modern technology.
One reason why I do love this movie however, is, of course, the 80s aesthetics. In the outside world, we have Dillinger's office, the industrial lab, the neon lights on Flynn's arcade. I love how 70s Alan Bradley looks. And inside the computer we have what is arguably the birth (at the very least, influence) of what we today call the Outrun Aesthetic.
I recently watched Babylon 5 for the first time (great show, I'll talk about it in my Contempo-Eclectic shrine), so I have even more appreciation for Bruce Boxleitner. I also think its funny Peter Jurasik is also in this movie, he plays a small role of a program that Sark attempts to coerce Flynn into killing.
Because Tron (1982) was featured as an explorable world in the video game Kingdom hearts II, and because said video game got an illustrated manga, manga tron does exist and he is everything.
Deleted Scene | Making-of documentary
I want Richard Taylor's tron hat sooo bad (last images), especially the white version. Either I will commission an embroidery artist, or I will learn the craft myself.
Pixels by Iconfactory:
Pixels by Dave Brasgalla: